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Kings of War: Armada is a fantastic game, full of beautifully crafted miniatures. Still some wargaming veterans might feel intimidated by the unusual scale and plentiful detail of Armada ships. Today I will present to you how easy it is to paint Armada Salamanders ships as can be seen in Gallery: Armada Salamanders. All techniques presented in step-by-step tutorial can be applied to different colors to produce a variety of awesome color schemes for your fleet.
Before we start, some notes:
Step one: Undercoat
I started with a thorough layer of Games Workshop Chaos Black spray. Chaos Black spray is my go to choice when it comes to undercoat, leaving a solid, durable layer with detail intact. Some might consider adding a zenithal preshade on top, but the techniques used in this tutorial would render such practice irrelevant.
Step two: Hull base
Hull, being the largest and most detailed part of the ship, was my choice of where to start the actual paintjob. I applied a solid layer of thinned Games Workshop Warplock Bronze all over the miniature, except for sails. I used an airbrush, but this can easily be done manually.
Step three: Hull highlight
Next, using a medium size, soft brush I applied a highlight of Army Painter True Copper. Flatbrush was my technique of choice for this one, as it applied a solid layer of paint sparing most recesses, thus leaving some of the previous layer still visible.
Step four: Hull final highlight
I then applied an edge highlight of Army Painter Shining Silver to make all the detail pop and provide a bit more contrast between recesses and exposed edges.
Step five: Masts base
I left the Hull for a bit and moved on to masts, applying a thick layer of Vallejo 72.045 Charred Brown. Once again I would like to point out that the colors I used are my personal preference and you can use any brand, or even any similar color, to achieve similar results.
Step six: Masts highlight
Another step was to apply a slightly blurry highlight of Vallejo 42.043 Beasty Brown. By blurry I mean a thinned down paint applied with a relatively large, soft brush. You can see in the picture how this layer seem a bit misty, partially translucent and not as strong as usual base application. This can be achieved by keeping a brush barely loaded with thinned down paint and sliding its edge up and down the surface. If I ever decide to have a Patreon this technique will probably be the first thing I would like to do a deep dive into, but for now my chaotic description must do.
Step seven: Masts edge highlight
Due to masts shape they do not have edges on their sides, but they still can be imitated with standard edge highlight of Games Workshop Karak Stone. If you struggle with edge highlights check out this in-depth article from 2018, where I describe the process and share some related life hacks.
Step eight: Wash
Here’s where real magic happens. I applied a strong layer of Army Painter Strong Tone wash over the miniature. This is probably the most important moment of the entire paint job. Wash applied en-masse blends all the colors beneath, toning them down a bit, adding coherency and that extra juicy look. One thing to look out for is large drops of wash forming on flat areas and lower parts of the miniature, then leaving stains of very dark paint while drying. This can be avoided by removing the excess of paint with a soft wet brush few minutes after application.
Step nine: Sails base
Once wash dried out nicely I moved to Sails and lower hulls. I applied a thick layer of P3 Coal Black, which is something between dark turquoise mixed with dark grey.
Step ten: Sails highlight
Next I applied a flatbrush highlight of slightly thinned Vallejo 309 Periscopes. This exposed most texture of the sails why also providing a more juicy color overall.
Step eleven: Sails highlight
Another highlight was applied with a 1:1 mix of Games Workshop Pallid Wych Flesh and Vallejo 309 Periscopes. A much more visible highlight to build volume.
Step twelve: Sails final highlight
Final highlight was applied with pure Games Workshop Pallid Wych Flesh. Similar to edge highlight this one was applied to most exposed detail and edges on the sails. Looks messy and ugly, but everything goes according to a plan…
Step thirteen: Glaze
Glazing is a topic on its own that usually refers to rather time consuming and precise application of strongly thinned down paints. The way I apply glazes is more simplified. I apply them with a large, soft brush just like washes, except I avoid applying too much paint. This way I both smooth up and juice up the colors underneath. In case of Salamanders I used a 1:1 mix of Games Workshop Akhelian Green nd Aethermatic Blue contrast paints.
Step fourteen: Green osl
Final color range to add onto the miniature was Greens. I applied four paints one after another to build volume and then add depth to weapons and any fire elements across the fleet. In this tutorial I deliberately linked all the steps into one, as this particular topic was just recently covered in Tutorial: Painting Green Glow that you can read in order to get a better grasp of the entire process.
Step fifteen: Bases
The paint job done and sealed with a matt varnish the last thing left to do was a base. Again, this is something I covered before in KoW Armada Water Bases tutorial that I invite you to read in order to get to know the process. In case of Salamanders I simplified basing by applying one thick, smooth layer of AK Interactive Atlantic blue, then another rough layer of the same texture to finally add waves with AK Interactive Water Foam effect. Very simple while also quite effective.
This marks the end of the tutorial. Feel free to ask any questions in the comments below or via social media.
I hope you find this tutorial interesting. Be sure to let me know your thoughts in the comments below or via Facebook or Instagram. I would also appreciate if you considered sharing this content with your friends, who might find it useful. Finally if you are looking for a professional miniatures painting service, be sure to contact me with this contact form. I always reply within 24 hours, after which please check out your spam folder.
As a full time professional miniatures painter I strive to specialize in techniques that provide the maximum effect on the gaming board, while being relatively simple and easy to mass duplicate. Here I will present to you a Step-by-step guide to painting green glow effect similar to that used in most of the projects, for example Gallery: Cult of Yurei and Gallery: Legio Vulpa.
Before we start, some notes:
Step one: Duck Egg preshade
I started with a soft layer of slightly thinned airbrushed Vallejo 71.009 Duck Egg Green (air). While airbrushing I made sure to cover potential light source areas plus the immediate surroundings.
Step two: Green base
Next I airbrushed a layer of Vallejo 72.733 Light Livery Green (air) without thinning. This layer was applied on top of previously airbrushed Duck Egg Green.
Step three: highlight
I then highlighted green with Vallejo 72.101 Off-White, pulling the edges out to create a solid base for future juicing up back to strong toxic green.
Step four: glaze
Next I manually applied a glaze of slightly thinned down Vallejo 72.733 Light Livery Green over the most intense green parts of the miniature. This includes plasma coils, glow on the side of the barrel and large rectangle area at the back.
Step five: highlight
Then, I once again applied a highlight of Vallejo 72.101 Off-White. This time I kept it contained to most exposed areas, barely few lines and dots to add focus points and add more overall contrast on the piece.
Step six: wash
Finally I applied a mix* of Vallejo 72.089 Green Ink ( 3 drops), Vallejo 72.085 Yellow Ink (2 drops) and water (10 drops). I made sure to apply the paint to deepest recesses only, avoiding exposed plasma coils and edges.
* You might notice a GW Waywatcher Green bottle in the picture below. The Vallejo mix is a recipe for GW Waywatcher Green, that is out of production. You can find more GW Glaze – Vallejo mix recipes in this article.
Work complete. Four colors, six layers an an interesting effect of toxic green plasma coils / ghosts / goo is done!
I hope you find this tutorial interesting. Be sure to let me know your thoughts in the comments below or via Facebook or Instagram. I would also appreciate if you considered sharing this content with your friends, who might find it useful. Finally if you are looking for a professional warhammer 40k miniatures painting service, be sure to contact me with this contact form. I always reply within 24 hours, after which please check out your spam folder.
As a full time professional miniatures painter I strive to specialize in techniques that provide the maximum effect on the gaming board, while being relatively simple and easy to mass duplicate. Here I will present to you a Step-by-step guide to painting orange glow effect similar to that used on my Games Workshop Crimson Fists army as can be seen in Gallery: Crimson Fists.
Before we start, some notes:
Step one: White preshade
I started with a soft layer of airbrushed Vallejo 72.701 Dead White (air). For the purpose of this tutorial I went straight from the bottle, although usually I thin the paint down just a bit with a drop of Flow Improver and a drop of Airbrush Thinner, resulting in less speckling. While airbrushing I made sure to cover potential light source areas plus the surroundings.
Step two: Orange base
Next I airbrushed a layer of Vallejo 72.709 Hot Orange (air) without thinning. This layer was applied on top of previously airbrushed Dead White.
Step three: highlight
I then highlighted orange with Vallejo 72.101 Off-White. Such a bright color might seem like an overkill, but this one is a bit cream’ish and can get juiced up to bright orange easily later on.
Step four: glaze
Here’s where real magic started. I thinned down Vallejo 72.709 Hot Orange (air) with a bit of water and manually glazed over the most intense orange parts of the miniature. This includes plasma coils, glow on the side of the barrel and large rectangle area at the back. Vallejo air series are perfect for hard glazing, retaining a lot of ‘juice’ even after thinning.
Step five: highlight
Finally I once again applied a highlight of Vallejo 72.101 Off-White, but this time limited to barely few dots and lines in the most exposed areas. This created focus points for the eye, while also providing better overall contrast on the piece.
Job done. Three colors, five layers is all it takes to achieve an interesting effect that will steal a glance or two on the gaming board.
I hope you find this tutorial interesting. Be sure to let me know your thoughts in the comments below or via Facebook or Instagram. I would also appreciate if you considered sharing this content with your friends, who might find it useful. Finally if you are looking for a professional warhammer 40k miniatures painting service, be sure to contact me with this contact form. I always reply within 24 hours, after which please check out your spam folder.
Welcome to Painting Warhammer 40,000 Crimson Fists tutorial. Here I will present to you a Step-by-step of an easy and fast painting process for Games Workshop Crimson Fists Primaris Marines armor as can be seen in Gallery: Crimson Fists.
Before we start, some notes:
Step one: Undercoat
I started with a thorough layer of Games Workshop Chaos Black spray. This is a standard procedure for me. Chaos Black spray is my go to choice when it comes to undercoat.
Step two: Base Color
For the initial layer I chose Vallejo Model Air – French Blue (71.088). The color is a somewhere medium tone blue, with much vibrancy that got a bit toned down by black undercoat beneath. I applied a thin, dry layer of French Blue by airbrushing it on top and around the miniature. I took extra care not to make the layer too strong.
Step three: Highlight
Next I applied a mix of Vallejo Game Air – Ultramarine Blue (72.722) proportioned 5:2 with Vallejo Model Air – Light Sea Blue (71.089). This layer was also airbrushed, but this time I applied it zenithally and on the most exposed areas of the armor. Once again I took extra care to keep the layer dry and soft.
Step four: Shading
I then applied Vallejo Wash for Dark Vehicles (76.518) by airbrushing it from the bottom of the miniature (reverse zenithal) and onto low parts of large areas, including lower shoulder guards, sides of leg armor and lower part of the backpack. This particular paint is very thin, forcing me to apply it by multiple tiny, mist-like “puffs”, that dried out almost instantly. It significantly toned down all the armor and blended any dry specks leftovers from previous layers.
Step five: First Highlight
Next I switched to manual brush and applied an edge highlight of Citadel Layer – Hoeth Blue. I picked only the most exposed edges, skipping all places that were too difficult to reach or hidden from sight.
Step Six: Second Highlight
Finally I applied an edge highlight with Vallejo Game Color – Glacier Blue (72.095). Contrary to previous layer, I kept this one concentrated on top areas and corners, adding extra focus and depth to the exposed armor detail.
That wraps up the armor. Only five layers of paint for an eye catching effect of dark blue armor, that stands out on the gaming board. Now with this solid base out of the way, we can start building character of the miniatures, by adding more colors and enriching the overall feel of the miniatures – but that is a topic for another day. Stay tuned for part two of the tutorial.
I hope you find this tutorial interesting. Be sure to let me know your thoughts in the comments below or via Facebook or Instagram. I would also appreciate if you considered sharing this content with your friends, who might find it useful. Finally if you are looking for a professional warhammer 40k miniatures painting service, be sure to contact me with this contact form. I always reply within 24 hours, after which please check out your spam folder.
Welcome to Painting Five Layers Technique – Metal tutorial. Here I will present to you a Step-by-step of an easy and fast painting process for metal, that I myself use in most of my projects.
Before we start, some notes:
Prep: Undercoat
I started with a thorough layer of Games Workshop Chaos Black spray.
Step one: Base layer
I then applied first layer (base) with GW Warplock Bronze. Thinning the paint down a notch might help leading the paint to recesses and speed up the process.
Step two: Bronze Highlight
Next, with a side of a large brush tip, I applied a layer of Army Painter True Copper. The movement and technique behind this layer was similar to flatbrushing. The key was to leave some of the previous layer visible in recesses, all the while applying new color to everything beyond.
Step two alt: Metal Highlight
I did the same for weapon, except I switched to Army Painter Gun Metal, instead of True Copper.
Step three: Edge highlight
Next I edge highlighted all areas with Army Painter Shining Silver. This one does not have to be precise and might get a bit messy. Any additional scratches or lines painted on the armor will benefit the final result.
Step four: Wash
The Army Painter Strong Tone was next. I applied a rich layer of wash all over the miniature.
NOTE: I recommend applying and highlighting any colors compatible with Strong Tone before commencing this step. Proper layer planning is key to achieving fast painting time. For this tutorial I left the rest of the miniature as is.
Step five: Highlight
Finally I edge highlighted with Army Painter Shining Silver. I also painted few additional scratches and lines to add diversity to some areas.
Job complete. It is just that simple. Now you have a nice base to add depth and additional detail with color washes/glazes, or you can just leave it as is, if you prefer. Below are some examples of Metal painted with Five Layers Technique.
I hope you find this tutorial interesting. Be sure to let me know your thoughts in the comments below or via Facebook or Instagram. I would also appreciate if you considered sharing this content with your friends, who might find it useful. Finally if you are looking for a professional miniatures painting service be sure to contact me with this contact form. I always reply within 24 hours, after which please check out your spam folder.
Welcome to Painting Empire of Dust Monolith tutorial. Here I will present to you a Step-by-step of an easy and fast painting process for Mantic Games Empire of Dust Monolith as can be seen in Gallery: Armada Empire of Dust.
Before we start, some notes:
Step one: Undercoat
I started with a thorough layer of Games Workshop Chaos Black spray.
Step two: Deck
I airbrushed Vallejo Khaki (air) over main deck and all top structures. I then flatbrushed GW Flayed One Flesh on top of Khaki layer.
Step three: Broadside
I airbrushed Vallejo Panzer Dark Grey (air), followed by a layer of Vallejo Cold Grey (air).
Step four: Gold
I then painted front and side ornaments, plus some additional detail with GW Warplock Bronze, followed by a solid flatbrush of P3 Molten Bronze and a highlight of Army Painter Shining Metal.
Step five: Wash
I then applied a lot of wash mix of Army Painter Strong Tone Ink 1:1 Army Painter Soft Tone Ink.
(If you followed my other tutorials you know at this point that the mixture is one of my very best friends in all painting.)
Step six: Main highlights
Once wash was dry I drybrushed broadsides with Vallejo Medium Sea Grey and then with Vallejo Ghost Grey. (I forgot to take pics). I then flatbrushed deck and top structure elements with GW Flayed One Flesh and edge highlighted with Vallejo Off White.
Step seven: Blue
I added accents of blue by manually painting chosen elements with Vallejo Magic Blue (air). I then highlighted with Vallejo Electric Blue, followed with Vallejo Glacier Blue. Furthermore I applied a wash layer of GW Guilliman Blue (glaze). Finally I added points of focus and thin highlights with Vallejo Glacier Blue.
Step Eight: Purple/Pink
I applied Vallejo Warlock Purple onto chosen areas, including top gem, piramid inner lines and catapult flames. I then applied couple successive highlights with different mixes of Vallejo Warlock Purple and Vallejo Off White. With few highlights made with pure Vallejo Off White I moved to glaze Army Painter Purple Tone Ink into few areas of choice. This was contained mostly to top gem and recesses in catapult flames (and around).
Such prepared miniature I airbrushed with two coats of Vallejo Polyurethane Matt Varnish and mounted on a base, following Tutorial: KoW Armada Water Bases.
I hope you find this tutorial interesting. Be sure to let me know your thoughts in the comments below or via Facebook or Instagram. I would also appreciate if you considered sharing this content with your friends, who might find it useful. Finally if you are looking for a professional miniatures painting service be sure to contact me with this contact form. I always reply within 24 hours, after which please check out your spam folder.
Welcome to Painting Blood Bowl Bogenhafen Barons tutorial. Here I will present to you a Step-by-step of an easy and fast painting process for Games Workshop Bogenhafen Barons as can be seen in Gallery: Bogenhafen Barons.
Before we start, some notes:
Step one: Undercoat
I started with a thorough layer of Games Workshop Chaos Black spray. This is a standard procedure for me. Chaos Black spray is my go to choice when it comes to undercoat.
Step two: Cream
I started by airbrushing Vallejo Bonewhite (air) all over feathers and clothes of the miniature, not caring if I mess up everything around. Paint was applied straight out of bottle, no dilution. I then moved to GW Pale Wych Flesh and
Flatbrushed it over previous layer. This layer was meant to build volume of paint and just a bit of highlight for the color, so that further ahead Wash could do a better job.
Step three: Grey
I applied Vallejo Air Panzer Dark Grey (air) manually, with natural dilution (air series). This paint is easy to control which helped me keep the layer precise. The color wasn’t strong but this layer didn’t had to. It was meant to prepare a background for future highlights of dark black-to-brown elements. Next I used slightly diluted Vallejo Glacier Blue and flatbrushed it over previous layer. Finally I applied few highlights with GW Pale Wych Flesh.
Step four: Skin
I begun painting skin with Vallejo Tan by applying a thin layer and concentrating on filling recesses. I added another thin layer on large flat areas to provide a solid color. Next I switched to GW Dwarf Flesh covered previous layer using flatbrush technique. Final highlights were made with Vallejo Flesh (air). I used the paint straight out of the bottle and applied it on the edges and on top of flat areas.
Step five: Browns
I took on Browns by manually applying Vallejo Dark Fleshtone (air) onto everything to-be-brown. Natural air series dilution allowed me to control the paint and avoid messing up other layers. I then switched to GW Karak Stone and Flayed One Flesh for classic highlights. Just few lines and dots on the edges and in center areas.
Step six: Metal
I started metal with GW Warplock Bronze, applying a thinned down layer on top of armor pieces. I then moved to P3 Molten Bronze for flatbrushed highlights. Finally I applied few highlights with AP Shining Silver.
Step seven: Violet
I applied a layer of Vallejo Violet on chosen parts of clothes and decorations. This was the last layer before wash so I ensured it didn’t leave a mess on top of previous elements. At this point of the paint job, anything could still be corrected with minimum effort, and I done so accordingly.
Step eight: Wash
This is where magic always happens. I applied a wet layer of AP Strong Tone Ink mixed with a tiny bit of Matt Varnish, onto entire miniature. I then ensured to remove any excess paint, from where detail got completely covered by pigmentation, with a clean brush.
Step nine: Highlights
Once wash dried up, I applied highlights of GW Pale Wych Flesh. Edge highlights, points of focus and lines in the middle areas for everything not metal or skin. I also applied a strongly thinned down layer of Pale Wych Flesh on top of Purple clothes creating a somehow mist-like effect.
Step ten: Purple
I then got back to violet (now more of a purple) and blended a layer of Vallejo Warlord Purple (air) on top of it. Air series does not require any thinning, but I added a bit of medium to leave texture difference visible underneath. With a strong and vibrant color I moved to Vallejo Pale Flesh for both an edge highlight and some random lines. I used this opportunity to add few dots and lines on top of skin, thus providing a final highlight.
Step eleven: Grey
Finally I painted belts and straps with thinned Vallejo Panzer Dark Grey (air) with previous layers being barely visible from underneath. It was then highlighted with Vallejo Ghost Grey to add contrast and keep it in line with rest of greys on the miniature.
Step twelve: Basing
Basing was made using AK Interactive Dark Earth texture, followed with a single layer drybrush of Games Workshop Karak Stone. I then airbrushed a line of pure white using a masking tape to protect the rest of the base (and miniature). Few Gamers Grass tufts and pure black edge later the job was done.
I hope you find this tutorial interesting. Be sure to let me know your thoughts in the comments below or via Facebook.or Instagram. I would also appreciate if you considered sharing this content with your friends, who might find it useful. Finally if you are looking for a professional miniatures painting service be sure to contact me with this contact form. I always reply within 24 hours, after which please check out your spam folder.
Welcome to Painting KoW Armada Dwarf Fleet tutorial. Here I will present to you a Step-by-step of an easy and fast painting process for Mantic’s Armada Dwarfs as can be seen in Gallery: Armada Dwarfs.
Before we start, some notes:
Step one: Undercoat
I started with a thorough layer of Games Workshop Chaos Black spray. This is a standard procedure for me. Chaos Black spray is my go to choice when it comes to undercoat.
Step two: Armor
I painted entire ship with slightly thinned Games Workshop Warplock Bronze. Once Warplock Bronze dried I flatbrushed entire miniature with Army Painter Gun Metal followed by another flatbrush, this time Army Painter Shining Silver. Finally I painted few elements with P3 Blighted Gold.
Step three: Red
Next I added some color to the ship by painting roof and side balcony elements with Vallejo Burnt Red which was in turn highlighted with a single layer of Vallejo Flat Red.
Step four: Wash
I richly applied Army Painter Strong Tone Ink onto entire miniature. The paint might be glossy depending on particular pot you got. I recommend adding just a bit of Matt Varnish before use.
Step five: Highlights
With wash dried out nicely I applied a layer of Vallejo Flat Red in most exposed red areas. I then followed with edge highlights and few lines/dots of Games Workshop Lugganath Orange. I then done the same for gold except I used GW Auric Armour Gold. For silver I went back to Army Painter Shining Silver, highlighting few exposed spots and edges.
Step six: Front slots
I decided to add additional touch to the front of the ship, by painting two frontal slots blue. I done this by applying a layer of thinned GW Fenrisian Grey and then a wash of GW Contrast Ultramarines Blue.
Step seven: Basing
In simple terms I followed my own tutorial for Armada Basing, that you may find HERE, except I used standard hdf bases painted with a single layer of Vallejo UK Mediteranean Blue, followed by standard AK Interactive Pacific Blue, AK Interactive Water Effect and AK Interactive Water Foam textures.
I hope you find this tutorial interesting. Be sure to let me know your thoughts in the comments below or via Facebook. I would also appreciate if you considered sharing this content to any groups or forums, where it might help someone paint their miniatures. Scarhandpainting is not just about professional miniatures painting service. I do my best to provide interesting tutorials and share my experience with other hobbyists.
Welcome to Painting Ghosts tutorial. Here I will present to you a Step-by-step of fast and easy painting Ghosts process.
Before we start, some notes:
Step one: Undercoat
I started with an airbrushed layer of Black.
Step two: Vallejo Turquoise, airbrushed
I airbrushed thinned Vallejo Turquoise all over the miniatures.
Insert: Additional detail
At that point I have painted all the none-ghost detail, following these two recipes: Painting Metal , Painting Bases. This tutorial is about painting ghostly elements so I leave this step to you. I have painted these elements now to build up ghostly light on top of them alongside layers to come next.
Step three: Vallejo Duck Egg Green, airbrushed
Next I airbrushed Vallejo Duck Egg Green air over ghostly elements, focusing on the most exposed areas. I have thinned this paint just a bit to mitigate speckling.
Step four: Vallejo Light Livery Green, airbrushed
I then airbrushed Vallejo Light Livery Green air over previous layer.
Step four: Vallejo Off White, highlights
I manually painted edge highlights with Vallejo Off White.
Step five: Vallejo Light Livery Green, juice up
I manually blended highly thinned Vallejo Light Livery Green air on top of previous highlights.
Step six: Vallejo Off White, highlights
I manually painted edge highlights with Vallejo Off White, but this time contained to dots and points of focus.
Step seven: Vallejo Light Livery Green, blend
I airbrushed thinned Vallejo Light Livery Green air all over the miniatures, after which I sealed it with Vallejo Polyurethane Matt Varnish and painted the base’s edge black, as it should be. Added few Birch Tree seeds as a final touch.
Note from the author: I hope you enjoyed this article. Be sure to let me know what you think in the comments or at my facebook. If you ever use the tutorial – please tag me at facebook or send pics to my e-mail, so I can enjoy your work 😉
Welcome to Painting Black Marbe tutorial. Here I will take you on a Step-by-step trip through the process of painting black marble.
Before we start, some notes:
Step one: Undercoat
I started with an airbrushed layer of White.
Step two: Base texture
For this step I used a Steel Wool stencil prepared in the previous Tutorial: Painting Marble. I simply took few pieces of steel wool, taped them together and used them as a stencil. I then airbrushed black paint through the stencil. Furthermore in some places I have removed black paint with a wet toothpick to create strong white lines.
Step three: Texture
Next I added a layer of texture by manually applied stains of Vallejo Pale Grey Wash. After waiting half a minute I removed the excess of the paint with a paper towel.
Step four: More texture
I then applied stains of Vallejo Air White, but this time removed the excess of the paint with slightly pressured water. You can simply airbrush water with around 0,5 bar pressure if you don’t have a sprinkler.
Step five: Sealing the colour
To seal the colour I applied an even, smooth layer of Army Painter Dark Tone Ink.
Step five: Gloss
Finally I applied two layers of airbrushed Gloss Varnish. This resulted in a nice polished glossy look but also added that 3d look to different layers.
Here’s how the finished base looks like.
This bonus method is much simpler and I think it had a lot of potential, still I stumbled upon it by accident just fed ways ago and hadn’t had time to test it thoroughly. Here’s basics:
Done! Seems mind blowing? Surely is. Have I done this right? Totally no 😛 White spots are too large, but as mentioned – there’s potential in the method and at some point I will find a way to make it work.
Note from the author: I hope you enjoyed this article. Be sure to let me know what you think in the comments or at my facebook. If you ever use the tutorial – please tag me at facebook or send pics through Line app to scarhandpainting, so I can enjoy your work 😉