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Tag Archives: Step by Step

TUTORIAL: PAINTING “GUIJIA” part 1 ORANGE ARMOUR

Welcome to Painting “Guijia” tutorial. Here I will take you on a Step-by-step trip through almost entire process of painting Infinity the Game “Guijia” Special Project. This is part 1 focused on Orange/Yellow Armour.

Before we start, some notes:
* This one requires an Airbrush.
* Paint’s are to be properly thinned before airbrush application.
* As usual, please take note that what works for me might not necessarily work for you.

Allright! Undercoat the miniature with black, check your gear and let’s do this!

*  Start with a solid layer of airbrushed Val. Orange Brown. I applied mine in three delicate, overlaping layers. I went around the miniature, with top and bottom, focusing on Armour Plates areas.

*  Next, airbrush Val. Scrofulous Brown. Mostly from the top and up to 45* degree, focusing on the most exposed areas. You can start building transitions to previous layer avoiding shadowed areas.

*  I forgot to take a picture of this layer. That's on me. Fortunatelly the result can be seen on the next picture. The layer is a mix of Val. Scrofulous Brown and Val. Off White, applied from top onto the center of all exposed areas.

*  Next, outline all the edges with Val. Ice Yellow

*  Lastly, underline armour plates with Army Painter Soft Tone Ink. I also used strongly dilluted Soft Tone to apply some more shadow in certain 'over the edge' areas.

If it all sounds easy it’s because it actually is. The real challenge comes with next step, but that’s for next week’s tutorial…

Nazroth

TUTORIAL: MODELLING TOXIC SLUDGE BASES

In this easy, step-by-step tutorial I’m going to show you how to create a Toxic Sludge Base. I designed these bases for Warhammer 40,000 Death Guuard Plague Marines.

I USED:

  • Basing Glue,
  • Shoe moist absorbers**
  • Vallejo Interior Green,
  • Vallejo Duuck Egg Green,
  • Vallejo Light Livery Green,

**Where I’m from there’s a small paper bag filled with moist absorbsion balls in every shoe box. If you can’t get that, just use some grains or make small balls out of green stuff or modeling clay.

*  I started by covering entire base with a layer of basing glue.

*  I then put couple of tiny balls onto the base, creating 'buubbles' and let it all dry.

*  Once dry, I covered are around the bubbles with another layer of basing glue.

*  I let it all dry for about an hour, then undercoated entire base black.

*  I then airbrushed a layer of Vallejo Interior Green over entire base.

*  Next I airbrushed a layer of Duck Egg Green concentrating on bubbles and surrounding areas.

*  Last thing to do was to airbrush two layers of Light Livery Green over entire bases and paint the sides black.

 

Nazroth

TUTORIAL: MODELLING SEED-EMBRYO

In this easy, step-by-step tutorial I’m going to show you how to create a Seed-Embryo marker, same as from Infinity SHASVASTII lvl 5 ‘Witness Me!’ gallery.

I USED:

  • Super Glue,
  • Basing Glue,
  • Office Clips,
  • Toothpicks,
  • Small balls (airsoft gun ammo)
  • Hobby Cutters & Hobby Tweezers,

*  I started by straightening two office clips, leaving both ends curved.

*  I then wraped them around one another and once done, cut a piece with hobby cutters.

*  Next I applied a drop of basing glue, followed by a drop of super glue onto a base.

*  Then I glued wraped up office clip piece on top of the super glue spot.

*  Airsoft gun ammo ball followed, on top of the office clip piece. First a drop of super glue, then basing glue, then I slightly dipped the ball in super glue and glued it on.

*  Lastly I modelled three growth pieces on top of the ball, applying a small dose of basing glue with a tootpick, then covering it with super glue.

And that’s it! The Seed-Embryo markers ready in few minutes. Just make sure you let them dry before painting – I recommend about 4 hours for super glue – basing glue mix to fully dry out and produce awesome texture.


Do you like this tutorial? Have you made your own Seed-Embryo markers? Be sure to let me know in the commets below!

Nazroth

TUTORIAL: MODELLING LUSH BASES

In this easy, step-by-step tutorial I’m going to show you how to create a Lush Base. I designed these bases to fit Infinity the Game Tohaa ‘tactical rocks’ – you can see how it turned out at Infinity TOHAA ‘Witness Me!’ gallery.

I USED:

  • Super Glue,
  • Basing Glue,
  • Stirland Battlemire (GW texture paint),
  • Paint Forge Tufts,
  • Random Tufts,
  • Dried out Grape branch,

*  I started by separating Grape mounts from the dried out Grape branch. Being rather soft, their topf have been removed to improove durability and shape.

*  I then applied a drop of basing glue onto the base, followed up shortly by another drop - this time super glue.

*  Before mixed glue drop was able to dry out I've planted Grape mount on top of it, creating strange looking plant.

*  Once glue dried up I've painted the bases following choosen colour scheme (see below). I then added some texture on top of them with Stirland Battlemire texture paint.

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*  Last step was to apply regular tufts. I used some noname tufts in large numbers filling most of the flat areas. Job done.

BONUS COLOUR RECIPE:

:

Black Undercoat,

Stirland Battlemire (GW), texture

Karak Stone (GW), stones & plants

Flayed One Flesh (GW), flatbrush stones & plants

Mix Strong Tone Ink (AP) 1:1 Soft Tone Ink (AP), wash

Nazroth

TUTORIAL: MODELLING LAVA BASES

In this easy, step-by-step tutorial I’m going to show you how to create and paint a Lava Bases. I used these bases for Infinity the Game Combined Army – you can see how it turned out at Infinity COMBINED ARMY ‘Witness Me!’ gallery.

I USED:

  • Super Glue,
  • Basing Glue,
  • Cork,
  • Shoe moist absorbers**

**Where I’m from there’s a small paper bag filled with moist absorbsion balls in every shoe box. If you can’t get that, just use some grains or make small balls out of green stuff or even modeling clay.

*  I started by breaking a piece of Cork into smaller bitz.

*  I then applied Super Glue over the bases in a random pattern. No need to be precise here.

*  Pieces of Cork followed to form 'volcanic rocks' and future spots for the miniatures to be mounted on.

*  Once Super Glue dried out I covered entire base with Basing Glue.

*  I then dropped tiny balls (shoe moist absorbers) oon top of the Basing Glue, between 'volcanic rocks' to create an effect boiling lava bubbles.

*  Next I applied Basing Glue over the bubbles.

BONUS PAINTING STEP-BY-STEP:

:

*  Black Undercoat.

*  Mahogany (Val) airbrushed all over the base.

*  Gorthror Brown (GW) drybrush over the Rocks.

*  Gory Red (Val) airbrushed over Lava.

*  Scrofulous Brown (Val) airbrushed over Lava.

*  Scrofulous Brown (Val) + White airbrushed over Lava.

*  Black spots added around Rocks

*  Scrofulous Brown (Val) airbrushed over Black spots.

*  Lamenters Yellow (GW) airbrushed over Lava.

*  Hot Orange (Val) spots airbrushed over Black spots, White airbrushed over bubbles.

*  Scrofulous Brown (Val) + Black, then pure Black glaze applied oved the Rocks.

*  Gloss Varnish applied over Lava.

 

 

 

Nazroth

TUTORIAL: PAINTING CORREGIDOR BASES (BASIC)

In this Step-by-Step tutorial I would like to take you on a spin with some Micro Art Studio’s Corregidor Bases. Guys from MAS did a fantastic job painting this product, but I have my own way which I would like to share with you. Buckle up and let’s get to it!

I USED:

* Regular Brush,

* Stippling Brush,

* Black,

* Tin Bitz / Warplock Bronze (GW)

* Eshin Grey (GW),

* Strong Tone Ink (AP),

* Gun Metal (AP),

* Shining Silver (AP),

* Scorched Brown (GW),

* Calthan Brown (GW),

* Ryza Rust (GW),

* Lugganath Orange (GW),

* Flayed One Flesh (GW),

 

!  You can achieve similar results using different paints as long as you followTutorial's basics. For example Eshin Grey (GW) might be switched for Panzer Dark Grey (Val).

1  I started by applying a layer of Eshin Grey (GW) to all raised areas of the base, over Black undercoat. Just a hint that applying two slightly diluted layers goes much faster and produces a similar result.

2  I then moved to the mesh areas and painted them with Warplock Bronze (GW). Once again this paint might be diluted but this time no need to apply two layers - one will suffice.

3  Once Warplock Bronze dried out, I applied a layer of Gun Metal (AP). For best results I did this with regular brush and using a Flatbrush technique following:

Five Layers Technique – Metal  basis

4  Next Shining Silver (AP) came in. I applied one layer over Gun Metal with regular brush, Flatbrushing.

5  I then applied a wet, thick layer of Strong Tone Ink (AP) over entire base. Once it dried out - I applied another, identical layer. (Picture seem grey'ish - in real life this would look more brown and juicy)

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1  Using either a Stippling brush or a well used up large brush I applied stains of Scorched Brown (GW) over all raised areas. Was carefull not to use too much paint.

2  I then drybrushed edges and some large parts of raised areas using Calthan Brown (GW).

3  Next I Stippled some Ryza Rust (GW) on top of previous layer, ensuring to leave some Calthan Brown visible.

4  Same technique, different paint. I stippled Lugganath Orange (GW) on top of Ryza Rust layer, leaving previous layer visible on the sides of the new one.

!  From this layer onward I usually paint over both raised and mesh areas. For the purpose of this Tutorial I left mesh parts clean, but do not be alarmed if you see pictures of my own bases with a less differentiated colour scheme.

5  Flayed one Flesh (GW) followed. This time I Drybrushed over Lugganath Orange layer and then used regular brush to paint thin lines on the edges.

6  Adding a final touch I painted edges smooth Black to add contrast and keep the paint job clean.

That’s it – you have followed me on my short journey from black undercoat to finished Corregidor Bases. Below you will find some examples of finished Corregidor Bases. Each bunch turns out slightly different from the rest. That’s because a slight difference in surface coverage or layer to layer proportion might result in change of how eye can see these bases. Either way – here they are:

Nazroth

TUTORIAL: PAINTING SKIN (BASIC)

Painting skin – nightmare for some, EZ for others. Back in the days I’ve struggled with a proper skin tone, my miniatures turning out too dark, or skin being overall flat and uninterresting. Practicing ‘Five Layers Technique‘ for many years, led me to some realisations and now I am able to present to you my ultimate way of basic skin painting.

I USED:

* Regular Brush,

* Bugmans Glow (GW),

* Dwarf Flesh (GW),

* Flesh (Val AIR),

* Strong Tone Ink (AP),

* Soft Tone Ink (AP),

* Pale Flesh (Val),

!  You can achieve similar results using different paints and avoiding mixes, as long as you follow Five Layers Technique basics. For example Bugmans Glow (GW) might be switched for Tanned Flesh (AP) or Tan (Vallejo).

!  You can start by applying first layer on any surface. This method does not require any special preparation, like re-painting surface to primer black etc.

1  I started by applying an underlayer of Bugmans Glow paint over any surface destined to become skin. This layer might be a bit messy and is not meant to be smooth, only to cover entire surface. For this particular layer I encourage thinning the paint a bit to help it flow into recesses.

2  Next I applied a main layer of Dwarf Flesh. This time I tried to keep paint from flowing into recesses and made sure that it will cover all big flat areas.

3  I then applied a layer made of a 1:1 mix of Dwarf Flesh and Flesh over all raised areas. This is suposed to be the first highligh and provides a difference in skin tones over the model. Don't worry if some piant flows into recesses, just try to avoid covering everything with it.

4  Here came the flood of wash. I applied a 1:1 mix of Army Painter's Strong Tone Ink with Soft Tone Ink. As usual I didn't bother to be subtle about it.

5  Once dried, I highlighted skin with a 1:1 mix of Elf Skintone and Pale Flesh. This usually is the final highlight and is meant to POP the skin.

!  If I was to enchance skin a bit and move forward from this point, I would add points of focus with lines and dots of Pale Flesh. Some deeper spots can also be in-lined with Flesh Tone or some brown-ish wash to build contrast but that's for another article.

Nazroth

TUTORIAL: PAINTING BROWN MILITARY COATS

How about I show you a technique to paint brown military coats like a pro in a way so simple that it’ll make you wander why haven’t you painted like that before? Below is a simple Step-by-step tutorial on how to achieve awesome tattered and used up leather brown coat effect in just few simple steps.

First some home brewed theory.

Stippling: A technique of creating texture out of dozens of tiny dots of paint. Easiest way to achieve this is to use a Stippling Brush (round head, tip cut off – flat surface instead, resilient hair).

Blending: A technique of gently intermingling two or more colors to create a gradual transition or to soften lines. Below I will demonstrate a rather crude version of it.

I USED:

* Stippling Brush (GW),

* Regular Brush,

* Olive Drab (Vallejo AIR),

* Pallid Wych Flesh (GW),

* Strong Tone Ink (AP),

1  You can start painting this on any dark surface, but for good result I recommend to prepare the surface, by following steps 1 to 3 of Painting 'Infinity' Black Tutorial. This will transition into a complex and interresting surface to work on. On a bright side neither these nor following layers require precision and are really fast to paint.

TUTORIAL: PAINTING ‘INFINITY’ BLACK

2  Time to stipple. I used a Stippling brush and Pallid Wych Flesh paint. I left the excess paint on the palette and randomly applied some dots onto the coat.

3  Next I mixed Olive Drab 1:1 with Strong Tone Ink and applied it all over the coat. This is the crude version of blending I mentioned earlier. It has not much to do with actual blending technique, except it changes the color and actually 'blends'.

4  Wash comes last. I applied a strong, wet layer of Strong Tone Ink all over the coat. Once dry - paint job is done.

!  This might be the end to it, but if you preffer to take your paint job to a higher level you can for example 'edge' the coat with a brighter brown/leathery colour. From now on you have a great looking base to add detail to and it was achieved in no time.

TUTORIAL: PAINTING EDGES

 

Nazroth

TUTORIAL: DIY INFINITY CAMO MARKERS

In this article I would like to present to you an easy way to prepare and then paint your own Camo Markers for Infinity the Game.

I USED:

  • PCV
  • Ruler
  • Pencil
  • Hobby Knife
  • 25mm Bases

 

PREPARATION:

Obviously, the preparation process was pretty simple. Using a ruler, pencil and hobby knife I first drawn and then cut  five 25x47mm rectangles made of PCV. I then glued them on top of 25mm round bases. At this point Camo Markers were ready to get painted.

PAINTING:

1  First step was to undercoat entire Camo Markers with Vallejo's Desert Tan.

2  Next I used a piece of synthetic hair holder as a stencil and airbrushed Vallejo Light Brown over the Markers.

3  Then I switched to Vallejo Earth and airbrushed it over the markers using a piece of net that I got patatoes in. This net should be easily obtainable in every grocery store and makes for a really cool stencil.

4  I then got back to hair holder stencil and airbrushed a layer of Vallejo Light Grey Green.

5  Next I airbrushed points of Vallejo Dark Flesh.

6  Some wet stippling went next. First I applied clumsy dots of Vallejo German Red Brown, then did the same with Games Workshop Pallid Wych Flesh. Afterwards I used Pallid Wych Flesh to mark edges of the markers and provide number to distinguish them from one another on the gaming board.

7  Basing came last. I used Games Workshop Agrellan Earth and Agrellan Badland, then drybrushed them with Karak Stone and Flayed One Flesh. Work done.

Nazroth

TUTORIAL: PAINTING ‘INFINITY’ BLACK

There’s probably as many recipes for painting black as there are painters all over the globe. On top of that there are many diffetrent  techniques to choose from. Painting a lot of detailed Infinity the Game miniatures, I have found one that works best for me. Today I would like to present to you a ‘Five Layers Technique‘ based colour scheme that I myself use.

First of all some home brewed theory. Just like most colours – Black looks great when highlighted. Black surfaces make good impression, when we are able to see different overlaping layers and how colour works with natural curves and detail. For this purpose I always use grey to highlight and texturize black. This leads to black effectively turning grey in the end, so I usually wash it with black ink/wash to deepen the ‘blackness’ in recesses and darken flat surfaces. That in turn lessens the highlights and flattens the entire impression. Here’s where I figured to follow wash with an edge of white’ish colour to produce strong contrast and ‘pop’ the blackness.

I USED:

* Chaos Black Undercoat (GW),

* Skavenblight Dinge (GW),

* Fenrisian Grey (GW),

* Oallid Wych Flesh (GW),

* Dark Tone Ink (AP),

!  Important note: For this technique you don't need to re-paint entire surface with pure black. I use it on different, mixed colours - usually being previously airbrushed all over the miniature.

1  First I covered the entire target surface with Skavenblight Dinge. To fasten and ease the process I added a bit of watter to the paint. No need to cover everything with a strong layer - just smoother what's undeneath it with a nice dark grey.

2  Then I made some random strokes with Fenrisian Grey. Once again I dilluted the paint a bit, to make it more transparent. This layer provides texture and some irregularities to all the flat surfaces.

3  I then edged with Pallid Wych Flesh. I tend to edge only the natural sharp edges and some easy accessible spots. the most important are the ones on top of the surface I paint. Added some random scratches here and there too.

4  I then washed the entire thing black with AP's Dark tone Ink. (no picture)

5  Finally I edged once again with Pallid Wych Flesh. Added some more scratches. Job done.

That is the entire secret behing my Painting ‘Infinity’ Black technique. Fast and easy. Sure, no perfectly smooth transitions, no none metallic metal, but still a very rewarding result. With a bit of imagination and practice – this might be used as a perfect starting point for a much more complicated paint job. Hope it works for you.

Nazroth
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